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Fonts Similar to Open Sans

Fonts Similar to Open Sans

Open Sans is the ubiquitous web font that has come to define and dominate the typography of the internet. If you want to find out what font is similar to Open Sans, you’re in luck—you can find a wide variety of fonts similar to Open Sans, which pay tribute to its minimal, legible character.

While there are plenty of similar fonts to Open Sans, no other font can match its decade of supremacy across web design. Created in 2011 by Steve Matteson and commissioned by Google, Open Sans went hand in hand with the rise of ‘flat design’ across websites and apps in the 2010s. 

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The font that has come to define type on the internet: Open Sans.

The Open Sans family now has more than 29 billion page views each week, and it’s the second most used font on Google Fonts. It’s ultra-legible on even small screens, and many have identified Open Sans as the new Arial—a neutral yet friendly font with a versatility and popularity that has remained largely unchanged over ten years of use.

Here, discover the history of the Open Sans font family, find out what is a similar font to Open Sans, and download recommended alternatives to the world’s favorite web font.  

Find minimal sans serifs and other fonts similar to Open Sans on Envato Elements.

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Electro Sans font family.

What Is Open Sans?

Open Sans is a minimal sans serif font with a large x-height and an open, airy appearance (hence the name). It is classed as a humanist sans serif, and was designed with small screens in mind. For many designers, Open Sans is the ‘flat design’ font, as it was widely used in flat user interface design during the 2010s. 

Consisting of a wide range of weights (including Open Sans light font, Open Sans Bold, and Open Sans Semibold), the font is widely adaptable for both web and print design. 

Today, Open Sans is one of the most widely used fonts in web design, second only to Roboto (a close relative of Droid Sans, Open Sans’s predecessor) on the list of most-used typefaces on Google Fonts. Read on to discover more about the history of Open Sans, as well as our choice of the font closest to Open Sans.

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Open Sans is the second most-used font on Google Fonts.

The History of the Open Sans Font

In 2011, Google commissioned American type designer Steve Matteson, now Creative Type Director at Californian foundry Monotype, to create a variation of his older font design, Droid Sans. Used across Android mobile devices, Droid Sans had been designed as an ultra-legible font for small screens. 

Matteson’s redesigned font, Open Sans, is even more legible, with wider apertures and a large x-height, as well as an italic variant. Described by Google as having ‘open forms and a neutral, yet friendly appearance’, the Open Sans font quickly became one of the most widely used web fonts, championed by Google as one of their default fonts for web pages and mobile devices, but also used by other platforms including Mozilla (which used Open Sans as its default typeface until 2019) and WordPress.     

Fun fact: Steve Matteson is a big fan of the work of American type designer Frederic Goudy. Matteson lectures about Goudy’s work and worked on revivals of Goudy’s Bertham, Friar, and Tory Text typefaces.

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The world’s most legible font? Steve Matteson’s Open Sans.

Open Sans is a humanist sans serif, meaning that it has more warmth than strictly geometric sans serifs, as well as organic roots in the style of its letterforms. This, combined with its exceptional legibility, has made it into one of the most popular fonts in the world, with over 4 billion views per day on more than 20 million websites.

In 2016, Matteson added a companion slab serif, Open Serif, to the Open family, which was also created with the goal in mind of enhancing the legibility of serif fonts on screens.  

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The Open Sans Font in Use: Flat Design and Political Branding

Flat design, which champions the use of minimal graphics and unnecessary styling, continues to be a widely popular style in user interface design because it allows for speedier load times and cleaner code. Open Sans was released at a time when app and web designers were promoting flat design, and with its legible and minimal style, the font quickly became a near-permanent fixture on flat designs across the web.

With a broad range of weights, from Open Sans Light and Open Sans Semibold to the body text-friendly Open Sans Regular font, the font family Open Sans quickly became a firm favorite of web designers in the 2010s.

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Open Sans in action on the Impossible Foods website, with the Tungsten font used for headers.

Open Sans is also widely used in brand design. Its neutral and friendly character has made it popular in corporate, educational, and political identities, as well as being a common choice for body fonts in a wide range of brand identities. 

The UK’s Labour, Liberal Democrat, and Co-Operative parties use Open Sans as their official font, as do a broad range of universities, including Carnegie Mellon University (CMU), Washington University, and Tel Aviv University (which uses the Hebrew extension of the font developed by Israeli type designer Yanek Iontef in 2014).   

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Open Sans is used by the UK’s Labour party in their brand identity.

How to Use Open Sans in Your Designs

There’s a reason why the Open Sans font family still tops web font lists today, a decade after it was created. It’s exceptionally versatile, neutral, and legible, making it adaptable for a wide range of purposes. Using Open Sans in your web and app designs is a no-brainer, and the font will complement minimal or flat designs particularly well. 

Whereas Helvetica might seem a little impersonal, Open Sans will bring warmth and friendliness to text and communications, making it a great alternative to neo-grotesque and geometric sans serifs. 

Although Open Sans is better known for its use on websites, it’s also available as a print typeface, making it adaptable for brand design, stationery, typesetting, posters, and other print media. Highly legible set at a small size, Open Sans is an excellent body font and is neutral enough to pair well with other type styles set as headers. 

The Open Sans font family is available in a wide range of weights, including the standard Open Sans regular font and Open Sans bold, as well as Open Sans semibold, medium, and the Open Sans light font. 

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In all, the family has five weights (Open Sans Light, Normal, Semi-Bold, Bold, and Extra Bold), each with an Open Sans italic version, resulting in a total of ten versions. The broad range of weights and styles available, as well as the companion serif font, Open Serif, makes Open Sans extremely versatile and usable across both web and print. 

Fonts Similar to Open Sans

In terms of what is a similar font to Open Sans, there are plenty of alternatives and tributes to choose from. While Open Sans will no doubt remain a web design favorite for years to come, you can choose a similar font to Open Sans which demonstrates more contemporary or unique features, to give your designs an edge. 

So what font is similar to Open Sans? The fonts closest to Open Sans demonstrate some of the same trademark characteristics of the original, including humanist styling, minimalist letterforms, and a neutral yet open appearance. 

Below, discover our selection of the 15 most similar fonts to Open Sans, from near-identical tributes to typefaces which take styling cues from Steve Matteson’s creation. 

1. Aurel 

A chunkier, squatter tribute to Open Sans with a reduced x-height, Aurel is suited to both headers and body text and comes in four versatile weights and four italics.  

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Aurel font family.

2. Bergen Sans

A more stylized take on Open Sans’s minimalist style, Bergen Sans takes its influences from Scandinavian type styles and the geometric typefaces of the Bauhaus. The Bergen Sans family has a companion family, Bergen Text, which has a slightly quirkier style.  

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Bergen Sans font family.

3. Arkibal Sans

A member of a five-strong extended font family, including Arkibal Serif and Arkibal Display, Arkibal Sans balances vintage style with clean legibility. Based on old Copenhagen store signs, the font is readable and warm—a quirkier alternative to Open Sans. 

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Arkibal Sans font.

4. Giga Sans

Looking for a more geometric alternative to Open Sans? Giga Sans is a bouncy sans serif with a clean, elegant appearance. Available in a huge range of nine upright styles and nine italics, the font looks just as good on strong headlines as it does set as body text. 

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5. Rockyeah Sans

An all caps sans serif with the same clean, legible spirit of Open Sans, Rockyeah Sans has been designed with display in mind, and would be the perfect pairing for simply-designed logos or websites. Ligatures that kick out from some of the letterforms give the font a fun-loving personality. 

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Rockyeah Sans display font.

6. Leo Sans

Modern, geometric, and clean, Leo Sans has an eye-catching, graphic style and is available in all caps for a striking look. It’s a similar font to Open Sans in terms of character, but Leo Sans is better suited to poster or display purposes.

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7. Fibon Sans

A softer alternative to Open Sans with a more hand-drawn quality, Fibon Sans is the kooky younger brother to Open Sans. Created by Hederae Creative Shop, the letterforms are rounded and ultra-legible, and come in six adaptable weights.

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Fibon Sans font family.

8. Monolith

Delicate and minimalist, Monolith is a lighter humanist sans serif suitable for print and web. Created by Unio, the emphasis of the font is on clarity and readability, and it has a matching true italic.

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Monolith font family.

9. Noirden

Noirden is a bold sans serif in the tradition of neo-grotesque sans fonts like Helvetica. An exceptionally diverse font family of 12 weights and 60 web font versions, this is a comprehensive, modernist alternative to Open Sans.

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Noirden sans serif family.

10. Maximus

Described as a ‘sporty’ sans serif by its designer NEWFLIX, Maximus is a characterful geometric sans serif with clean and stylized lettering and a dynamic appearance. This is a fun and bouncy sans serif suitable for more youthful branding and editorials. 

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11. George Sans

A rounded sans serif, George Sans is much more stylized than Open Sans, but it wins a spot on our list for its high legibility and open, friendly letterforms. Use it on logos, signage, and packaging design. 

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George Sans font family.

12. Avocado Sans

Optimistic, rounded, and youthful, Avocado is aptly named for its millennial-targeted style and character. Use the three-weight family for social images and branding aimed at younger audiences.

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Avocado Sans font family.

13. Electro Sans

Looking for a truly similar font to Open Sans? Electro is one of the closest matches for the original Open family, with excellent legibility and a classic humanist style. Created by Adam Johns of Webhance Studio, Electro Sans is a fantastic contemporary update on Open Sans.  

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Electro Sans typeface.

14. Bolt

Modern and ultra-minimal, Bolt is a more serious alternative to Open Sans but still retains the spirit of legibility and clean design that make Open so popular. 

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Bolt font family.

15. Ardent

With a more exaggerated x-height than Open Sans, Ardent nonetheless is a close tribute to the Open family, taking its cues from the narrower Droid Sans. The family contains six weights and six italics, making it a diverse, versatile family that suits print and web design. 

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Ardent sans serif family.

Conclusion: Fonts Similar to Open Sans

Perhaps no other font has had such a significant impact on modern web design as humble Open Sans. Riding the tide of popularity for flat user interface design in the early 2010s, the font family Open Sans has nonetheless proved to be a remarkably enduring typeface, still topping the most-used lists a decade after its creation. 

If you’re still looking for the perfect font that’s closest to Open Sans or fonts similar to Open Sans, there are plenty of other subtle, minimal sans serifs out there to discover. Find more humanist sans serifs and other similar fonts to Open Sans on Envato Elements. 

Discover more top font lists and type tips below:

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How to Delete a Theme in WordPress

How to Delete a Theme in WordPress

In this tutorial you’re going to learn how to delete a WordPress theme in two ways:

  1. The proper way you should use virtually every single time
  2. The backup way you can use if you are having problems with your WordPress site, or if you want to delete several themes at once

1. How to Delete a WordPress Theme: the Proper Way

In your WordPress admin panel go to the theme management area by clicking  Appearance > Themes in the left side bar menu.

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Once there, make sure you have a theme other than the one you wish to delete active. You cannot delete an active theme through the WordPress admin panel.

Now, hover over the thumbnail of the theme you wish to delete, and click the Theme Details button:

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In the bottom right hand corner you will see the word Delete in small red letters:

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Click that delete button, then confirm that you wish to delete the theme, and WordPress will automatically handle the deletion process for you.

2. How to Delete a WordPress Theme: the Backup Way

In the vast majority of circumstances deleting a WordPress theme through the admin panel is the correct way to proceed.

However in some rare cases this may not be possible. For example, a mistake made during live edit to the theme might have accidentally broken the entire site, leaving you unable to access the admin panel as a result.

In a case such as this you would need to delete the theme manually through a file manager, such as the one that comes with cPanel, or an FTP client. Using a manual theme deletion process can also be useful if you want to remove multiple themes at once in an efficient manner.

The first thing you’ll need to do is connect to your site’s host with a file manager or FTP client and browse its directory structure. Find your site’s  wp-content directory, and inside that the themes directory.

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Every theme on your WordPress site has its own directory inside the  themes directory. If you delete a theme’s directory, you delete the theme from WordPress as well. So all you need to do is select the theme(s) you want to get rid of, then use the file manager or FTP client to delete them.

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Then when you return to your WordPress site’s theme management page the deleted theme(s) will be gone from the list of available themes.

3. How to Delete a WordPress Theme Completely

You may be wondering if deleting a WordPress theme is a bit like deleting a program from Windows, where there might be left over files and junk you have to get rid of after the fact.

Fortunately this is not the case, and using either of the methods described above will always enable you to delete a WordPress theme completely.

The only circumstance under which using one of these methods might not result in complete deletion is if a theme contains malicious code deliberately designed to inject itself into areas it’s not supposed to be.

Choose Your WordPress Theme Wisely!

To avoid this possibility make sure you only ever install themes from trusted sources who have vetted themes to ensure they are safe, such as the official WordPress repositories, or our own Themeforest and Envato Elements range. Take a look through some of our roundups to see the most popular themes available right now:


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bureau de change adds interlocking geometric glass extension to victorian house in london

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bureau de change architects has renovated a victorian terraced house in south london, complete with a rear extension of interlocking geometric glass volumes. titled ‘frame house’, the project comprises a series of undulating levels that create playful ledges, steps, and borders. textures, graphics, colors and finishes have been selected to emphasize the home’s theatricality, including […]

The post bureau de change adds interlocking geometric glass extension to victorian house in london appeared first on designboom | architecture & design magazine.

The Shades of Magic Series by V.E. Schwab

The Shades of Magic Series by V.E. Schwab

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The Shades of Magic is a trilogy by New York Times bestselling author V.E. Schwab, published by Tor Books.

The first book, A Darker Shade of Magic, hit shelves in February 2015, followed by A Gathering of Shadows in 2016 and A Conjuring of Light in 2017. In the same year it was announced that Sony won a bidding war over the movie rights to A Darker Shade of Magic.

For the book covers, designer and illustrator Will Staehle chose the font Polyspring by PintassilgoPrints. He comments:

Once we locked on this design we went back and forth on a few possible type solutions, but ended up with this narrow serif. Lettering that feels a bit turn-of-the-century, while also creating a nice contrast from the very strong graphic circles of the cover.

Read more about the cover design process of the book A Darker Shade of Magic and see other cover approaches commented by Tor Books Art Director Irene Gallo on Tor’s website:

It is both playful and smart, sugesting that there is a really fun and clever adventure to be had.

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Law & Order

Law & Order

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Law & Order is a US television series set in New York City that first aired 30 years ago today, on September 13, 1990, and ran for 20 seasons until its final episode in 2010. Each episode is split into two segments: an investigation by the police (Law) and subsequent prosecution by the district attorney’s office (Order). The series has been spun off into a larger franchise of shows, including Law & Order: SVU which is the longest running primetime live-action series in US television history.

Starting with the very first season, and continuing across the franchise, Law & Order has made prominent use of Friz Quadrata for its titling and branding. Along with the show’s trademark dun-dun sound, the simple but consistent use of the typeface has cemented the brand among the most iconic in US television. As Art of the Title explains it:

It’s a testament to the power and ubiquity of the series that 30 years later one glimpse of that typeface and two bits of sound can immediately transport audiences back to a world of perilous but soothing procedure, where process and justice are the only things worth a damn.

The original title sequence was created by Betty Green with the Howard Anderson Company, and though some details have changed with new seasons (most notably between seasons 3 and 4) and rotations with the cast, the overall design remained more or less the same over the years.

The episodes start with the main title in all caps while a stiff voiceover sets the stage for the show. “LAW & ORDER” is shown at first as just the shade of the letters, gradually fading into the rendering of white letters with a dark shadow and outer glow of blue for the top line and red for the bottom. The short pre-intro concludes with the now-famous dun-dun sound.

Following a short teaser scene, the full title sequence continues, accompanied by a synth-jazzy soundtrack. Dramatic zoom-ins on “LAW” and “ORDER”, interspersed with stark imagery, continue the blue and red color coding to introduce the cast of police and attorneys, respectively. The actors’ portraits fade in from halftone renderings, with a few minor appearances of Eurostile for “STARRING” and “DIRECTED BY”.

In addition to the title sequence, Friz Quadrata also features prominently in the show’s intertitles, used to help move the storyline along quickly, giving the show a distinctive fast-paced editing style. According to the show’s creator, Dick Wolf:

The title cards take the place of a lot of the garbage time in most shows of people driving up to buildings, getting out of cars, walking in, going up in elevators, walking out … There are no establishing shots. There are no transition shots.

The final episode of the original Law & Order series aired on May 24, 2010, but subsequent spin-off series have continued to make prominent use of Friz Quadrata. After 30 years, it’s one of the longest and most consistent uses of a typeface for any TV franchise ever.

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